Author(s):
Oksana Cheypesh, Constanza Pacher, Sandra Gabriele, Stéfan
Sinclair, Drew Paulin, and Stan Ruecker
Oksana
Cheypesh
MA student
Humanities Computing Program
University of Alberta
Edmonton AB T6G 2E5
cheypesh@ualberta.ca
Constanza
Pacher
Instructor
Grant MacEwan College
Box 1796
Edmonton, AB T5J 2P2
conspacher@hotmail.com
Sandra
Gabriele
Assistant Professor
Department of Design
4008 TEL
York University
Toronto, ON M3J 1P3
gabriele@istar.ca
Stéfan
Sinclair
Assistant Professor
School of the Arts (SOTA)
McMaster University
Togo Salmon Hall 414
1280 Main Street West
Hamilton ON L8S 4M2
sgs@mcmaster.ca
Drew
Paulin
School of the Arts (SOTA)
McMaster University
Togo Salmon Hall 414
1280 Main Street West
Hamilton ON L8S 4M2
sappam@mcmaster.ca
Stan
Ruecker
Assistant Professor
Humanities Computing Program
Department of English and Film Studies
3-5 Humanities Centre
University of Alberta
Edmonton, AB T6G 2E5
sruecker@ualberta.ca
Media: Presentation with
Digital Projector
Twentieth-century modernist design for printed materials involved the
widespread adoption of grid systems. Grids provide designers and
readers with a means of organizing the visual field, allowing the
suggestion that even disconnected elements fall within a pattern,
especially across multiple spreads. Grids are a powerful organizing
tool and their significance cannot be over-stated. However,
particularly in the context of interface design, they can imply a
certain underlying organization of the data which is not necessarily
accurate. For instance, within a Cartesian grid, there is a sense in
which items are interchangeable: every item is at the same level in the
collection. However, as Winograd and Flores (1986) point out, in an
ideal interface design, the structure of the visual field should
reflect the underlying nature of the collection.
This paper outlines an attempt to explore a powerful alternative to the
Cartesian grid, through extrapolating from the underlying geometry of a
variety of mandalas. With a visual history that spans literally
thousands of years, mandalas have a number of features that make them
attractive candidates for interface designs. They are typically
balanced. They demonstrate the concept of containment, usually with a
structured interior, often combined with a strong central tendency.
They are visually unified. This combination presents possibilities for
the design of interfaces that not only can reflect a wide range of
underlying architectures, but also stand in opposition to a
“technological aesthetic” that privileges forms built from acute angles
and rectangular shapes.
Title:
I never forget a face: A rich prospect image browser
for conferences
Author(s):
Stan Ruecker, Michael Lewcio, Michael Plouffe, Maryanne Wynne
Stan
Ruecker
Assistant Professor
Humanities Computing Program
Department of English and Film Studies
3-5 Humanities Centre
University of Alberta
Edmonton, AB T6G 2E5
sruecker@ualberta.ca
Michael Lewcio
MA student
Humanities Computing Program
University of Alberta
Edmonton AB T6G 2E5
lewcio@gmail.com
Michael Plouffe
Humanities Computing Program
University of Alberta
Edmonton AB T6G 2E5
gomikego@shaw.ca
Maryanne Wynne
Humanities Computing Program
University of Alberta
Edmonton AB T6G 2E5
maryanne.wynne@ualberta.ca
Media: Presentation
with digital projector
We currently navigate conferences with the schedule as our map,
identifying sessions we intend to visit like islands on a cruise.
But a conference is a dynamic event: schedules change, conversations
occur, networks develop. We scribble on our maps and collect
pocketfuls of business cards and wonder where that social scientist
from Saskatchewan is giving the paper he talked about at dinner last
night.
Conference registration, schedules, abstracts, papers, presenter
biographies, and proceedings represent an astounding quantity of
valuable information, which is near maddening to retrieve and which
cannot incorporate the human interaction that is a vital benefit to
attending conferences.
Our thesis is that a rich prospect image browser can improve the
conference experience by connecting biographic, academic, and schedule
data to a digital image of each delegate. We are currently
undertaking preliminary usability testing of a prototype interface
where a complete set of attendee pictures appears in an html browser,
along with a sorting toolbar that includes gender, name, location,
affiliation, keyword, and similar information collected in the
registration process. Participants are asked to perform tasks involving
delegate identification and classification.
Preliminary results of this usability testing are addressing the
following question: can a rich prospect interface provide more
precise and intuitive sorting capacity and improve retrieval?
There is a significant advantage in using visual representations
(current digital photos) of delegates in the interface; this entails,
however, practical matters such as adding a photo step to the
registration process and respecting applicable laws for the protection
of privacy.